Rasheed Jalloul, 22 d’abril de 2023.
Rasheed Jalloul, April 22, 2023.

Castellano + English ↓

  • Sobre nosaltres
    La Free Music School és un cant a l’art com a mitjà de transformació, coneixement i amistat transgeneracional. És un punt de trobada per a artistes (músics, ballarins, fotògrafs, dibuixants, pintors, escultors, xamans, viticultors...), on la reflexió i la passió es canalitzen per crear noves experiències socials, polítiques i revolucionàries.

    Què fem
    Acollim classes, tallers, concerts, projeccions i trobades obertes amb un sistema de pagament voluntari segons les possibilitats de cadascú, amb un èmfasi en l’experimentació, el joc i la improvisació.

    Com treballem
    Som una iniciativa autogestionada per artistes dins de l’Economia Social i Solidària (ESS). Som una associació sense ànim de lucre. Les nostres activitats funcionen amb un model de “aporta el que puguis”, i prioritzem les col·laboracions amb artistes, veïnes i col·lectius afins, tant locals com internacionals.

    Si vols col·laborar, escriu-nos a studio@freemusic.school.

    Finançament
    La Free Music School existeix gràcies al suport col·lectiu. Si vols ajudar-nos a recaptar fons, ja sigui amb una donació, compartint les teves habilitats o connectant-nos amb possibles col·laboradors, ens encantaria saber de tu. Cada aportació ens ajuda a sostenir el nostre model de paga-el-que-puguis i a mantenir les portes obertes per a tothom. Escriu-nos a studio@freemusic.school.

    Junta Directiva

    David Regañas Flores
    Director d’Estudi

    Anna Muñoz de la Fuente
    Secretària

    Michael Wayne Hart
    President

    Helio Reguera Muñoz
    Tresorer

    Ferran Font i Planella
    Vicepresident

    Visiteu-nos
    Carrer Lleida, 39
    Porta T1
    08004 Barcelona
    Poble Sec, Catalunya, Espanya
    studio@freemusic.school
    www.freemusic.school

    Transparència legal
    Associació registrada al Registre d’Associacions de la Generalitat de Catalunya.

    Núm. de registre:
    9067/732158/2025

    Data d’inscripció:
    9 de novembre de 2024.

    NIF:
    G22883748

    Descarrega els Estatuts (PDF)
    Carta d’inscripció de la Generalitat (PDF)

  • Sobre nosotros
    La Free Music School es un canto al arte como medio de transformación, conocimiento y amistad transgeneracional. Es un punto de encuentro para artistas (músicos, bailarines, fotógrafos, dibujantes, pintores, escultores, chamanes, viticultores...), donde la reflexión y la pasión se canalizan para crear nuevas experiencias sociales, políticas y revolucionarias.

    Qué hacemos
    Ofrecemos clases, talleres, conciertos, proyecciones y encuentros abiertos con un sistema de pago según las posibilidades de cada persona, con un énfasis en la experimentación, el juego y la improvisación.

    Cómo trabajamos
    Somos una iniciativa autogestionada por artistas dentro de la Economía Social y Solidaria (ESS). Somos una asociación sin ánimo de lucro. Nuestras actividades funcionan con un modelo de “aporta lo que puedas”, y damos prioridad a las colaboraciones con artistas, vecinas y colectivos afines, tanto locales como internacionales.

    Si quieres colaborar, escríbenos a studio@freemusic.school.

    Financiación
    La Free Music School existe gracias al apoyo colectivo. Si quieres ayudarnos a recaudar fondos, ya sea con una donación, compartiendo tus habilidades o poniéndonos en contacto con posibles colaboradores, nos encantaría saber de ti. Cada aportación nos ayuda a sostener nuestro modelo de paga-lo-que-puedas y a mantener las puertas abiertas para todos. Escríbenos a studio@freemusic.school.

    Junta Directiva

    David Regañas Flores
    Director de Estudio

    Anna Muñoz de la Fuente
    Secretaria

    Michael Wayne Hart
    Presidente

    Helio Reguera Muñoz
    Tesorero

    Ferran Font i Planella
    Vicepresidente

    Visítanos
    Carrer Lleida, 39
    Porta T1
    08004 Barcelona
    Poble Sec, Catalunya, España
    studio@freemusic.school
    www.freemusic.school

    Legalidad y Transparencia
    Inscrita en el Registro de Asociaciones de la Generalitat de Catalunya.

    N.º de registro:
    9067/732158/2025

    Fecha de inscripción:
    9 de noviembre de 2024

    NIF:
    G22883748

    Descargar Estatutos (PDF)
    Carta de Inscripción de la Generalitat (PDF)

  • About us
    The Free Music School is a song in art as a medium for transformation, knowledge, and transgenerational friendship. It is a meeting point for artists (musicians, dancers, photographers, skechers, painters, sculptors, shamans, winegrowers...), where reflection and passion are channeled to create new social, political and revolutionary experiences.

    What we do
    We host classes, workshops, concerts, screenings, and open gatherings on a pay-what-you-can basis, with an emphasis on experimentation, play and improvisation.

    How we work
    We are an artist-run initiative within the Social and Solidarity Economy (SSE). We are a nonprofit association. Our activities operate on a pay-what-you-can basis, and we prioritize collaborations with artists, neighbors, and aligned groups, both local and international.

    If you’d like to collaborate, write us at studio@freemusic.school.

    Fundraising
    The Free Music School exists thanks to collective support. If you would like to help us raise funds, whether by donating, sharing your skills, or connecting us with potential supporters, we would love to hear from you. Every contribution helps us sustain our pay-what-you-can model and keep our doors open to all. Write us at studio@freemusic.school.

    Board

    David Regañas Flores
    Studio Director

    Anna Muñoz de la Fuente
    Secretary

    Michael Wayne Hart
    President

    Helio Reguera Muñoz
    Treasurer

    Ferran Font i Planella
    Vice President

    Visit us
    Carrer Lleida, 39
    Porta T1
    08004 Barcelona
    Poble Sec, Catalunya, Spain
    studio@freemusic.school
    www.freemusic.school

    Legal & Transparency
    Registered in the Government of Catalonia’s Associations Registry.

    Registry no.:
    9067/732158/2025

    Registration date:
    November 9, 2024.

    NIF:
    G22883748

    Download Statutes (PDF)
    Generalitat Registration Letter (PDF)

Manuel del Rincón, Església de Santa Madrona, 20 de gener de 2024.
Manuel del Rincón, Santa Madrona Church, January 20, 2024.

Nit de poesia a la Free Music School amb Alex Gregor, 16 de gener de 2026.
Poetry Night at the Free Music School with Alex Gregor, January 16, 2026.

Mercè Aguilar, classe “Investigant amb el cos”, 3 d’octubre de 2023.
Mercè Aguilar, “Investigating with the Body” class, October 3, 2023.

Rolly Dib amb La Tinta i l’FMS, Plaça del Sortidor, 3 de març de 2024.
Rolly Dib with La Tinta and FMS, Plaça del Sortidor, March 3, 2024.

Repoker de Reyes, Quinta “El Godo”, 17 de maig de 2025.
Repoker de Reyes, Quinta “El Godo”, May 17 2025.

El mag Tyler Haze amb el Dr. Raúl González Rodríguez durant “MUY FRAGIL”, 2 de juliol de 2023.
Magician Tyler Haze with Dr. Raúl González Rodríguez during “MUY FRAGIL”, July 2, 2023.

Alberto Masclans actuant a l’FMS durant els estudis oberts organitzats per La BiblioMusiCineteca, 11 de novembre de 2023.
Alberto Masclans performing at the FMS during the open studios organized by La BiblioMusiCineteca, November 11, 2023.

Cartells de protesta en georgià de Katharina Stadler, en exposició a l’FMS, 27 d’abril de 2025.
Protest signs in Georgian by Katharina Stadler, on exhibit at the FMS, April 27, 2025.

Ferran Font, vicepresident de l’FMS, a la seva vinya, L’Esquirol, Vic, Catalunya, 25 de març de 2022.
FMS Vice President Ferran Font at his vineyard, L’Esquirol, Vic, Catalunya, March 25, 2022.

Mercè Aguilar al piano amb Joe McGavin i Ferran Font, Free Music School, Poble Sec, BCN, 4 de maig de 2024.
Mercè Aguilar on piano with Joe McGavin and Ferran Font, Free Music School, Poble Sec, BCN, May 4, 2024.

Anna Ishtar, impartint “Liberación Del Trazo”, 11 de març de 2023.
Anna Ishtar teaching “Liberación Del Trazo”, March 11, 2023.

Gérard Mayen, Sessió de Feldenkrais #5, 31 de maig de 2023.
Gérard Mayen, Feldenkrais Session #5, May 31, 2023.

Santiago Latorre a l’FMS, preparant la seva actuació de «The Architecture of Friendship», 19 de setembre de 2024.
Santiago Latorre at the FMS, preparing for his performance of “The Architecture of Friendship”, September 19, 2024.

Cecilia Bellorín, 24 d’agost de 2024.
Cecilia Bellorín, August 24, 2024.

Cintia Sefirelly, Klimt/Gaza, 27 de setembre de 2025.
Cintia Sefirelly, Klimt/Gaza, September 27, 2025.

«Rasheed Jalloul: Magic In the MAGNETICS of Meaning (#4)», 26 d’octubre de 2024.
“Rasheed Jalloul: Magic In the MAGNETICS of Meaning (#4)”, October 26, 2024.

Pere Faura interpretant «Método Rosa» a l’FMS, 18 de juliol de 2024.
Pere Faura performing “Método Rosa” at the FMS, July 18, 2024.

Helio Reguera, Luiz Lucas i Santiago Latorre, 6 d’abril de 2023.
Helio Reguera, Luiz Lucas and Santiago Latorre, April 6, 2023.

Manuel del Rincón, ajudant Piano Servei a portar el piano del poble a l’FMS, 12 de novembre de 2022.
Manuel del Rincón assisting Piano Servei in bringing the people’s piano to the FMS, November 12, 2022.

Gerard Mayen, maig de 2023.
Gerard Mayen, May of 2023.

Castellano + English ↓

  • Pagament segons possibilitats, sostingut per veïnes i amistats de la Free Music School.

    L’estudi està pensat per a treballs suaus: assajos, classes privades, escriptura, lectura, pràctica lenta i petits projectes creatius. Si us plau, cuida l’espai. Dona aigua a les plantes si ho necessiten. Mantén els nivells de so amables per al veïnat. Deixa-ho una mica més bonic del que l’has trobat.

    Si és la teva primera vegada utilitzant l’espai, escriu a studio@freemusic.school per concertar una visita breu.T’ensenyarem les particularitats de l’espai, com obrir i tancar l’estudi, on van les coses i com en tenim cura entre totes.

    La teva reserva és una sol·licitud. La revisarem i t’enviarem una confirmació aviat.

    Aportacions suggerides:
    5 €/hora si et va bé
    10 €/hora si tens ingressos estables
    15 €/hora si vols ajudar a sostenir l’accés d’una altra persona

    Dona menys si ho necessites. Dona més si pots.

    Les nostres despeses mensuals són d’uns 2.000 € (lloguer, subministraments i costos bàsics de producció), sostingudes col·lectivament per gent que creu que un espai així ha d’existir a Poble Sec.

    — amb cura,
    Free Music School

  • Paga-lo-que-puedas, sostenido por vecinas y amistades de la Free Music School.

    El estudio está pensado para trabajos suaves: ensayos, clases privadas, escritura, lectura, práctica lenta y pequeños proyectos creativos. Por favor, cuida el espacio. Riega las plantas si lo necesitan. Mantén niveles de sonido amables para el vecindario. Déjalo un poco más bonito de como lo encontraste.

    Si es tu primera vez utilizando el espacio, escribe a studio@freemusic.school para coordinar una visita breve. Te mostraremos las particularidades del espacio, cómo abrir y cerrar el estudio, dónde va cada cosa y cómo cuidamos el lugar entre todas.

    Tu reserva es una solicitud. La revisaremos y te enviaremos una confirmación en breve.

    Aportaciones sugeridas:
    5 €/hora si te va bien
    10 €/hora si tienes ingresos estables
    15 €/hora si quieres ayudar a sostener el acceso de otra persona

    Da menos si lo necesitas. Da más si puedes.

    Nuestro gasto mensual actual es de unos 2.000 € (alquiler, suministros y costos básicos de producción), cubierto colectivamente por personas que creen que un espacio así debe existir en Poble Sec.

    — con cariño,
    Free Music School

  • Pay-What-You-Can, sustained by neighbors and friends of the Free Music School.

    The studio is meant for gentle work: rehearsals, private classes, writing, reading, slow practice, and small creative projects. Please treat the space with care. Water the plants if they look thirsty. Keep sound levels kind for our neighbors. Leave it a little nicer than you found it.

    If this is your first time using, please write to studio@freemusic.school to arrange a short visit. We’ll show you the particularities of the space, how to open and close the studio, where things belong, and how we care for the room together.

    Your booking is a request. We’ll review it and send a confirmation shortly.

    Suggested contributions:
    €5/hour if that feels good
    €10/hour if you have steady income
    €15/hour if you’d like to help sustain someone else’s access

    Pay less if you need to. Pay more if you can.

    Our current monthly overhead is about €2,000 (rent, utilities, and basic production costs), covered collectively by people who believe this kind of space should exist in Poble Sec.

    — with care,
    The Free Music School

CASTELLANO + ENGLISH ↓

  • Classes particulars de piano a la Free Music School

    Aquí veiem el compositor i pianista Manuel del Rincón practicant Chopin a la Free Music School de Poble-sec. Ara obre un nombre limitat de places per a classes particulars de piano, disponibles en català, castellà i anglès.

    L’ensenyament d’en Manuel combina profunditat musical i consciència corporal. La seva passió per la teoria musical, la musicologia i la filosofia dona forma al seu enfocament, ajudant l’alumnat a entendre no només com tocar, sinó també com pensar la música, l’estructura, la interpretació i el sentit.

    També treballa de prop amb la postura i el cos, incorporant sovint principis de la Tècnica Alexander, un mètode que ajuda les persones músiques a alliberar tensions innecessàries i desenvolupar una relació més lliure, natural i sostenible amb el moviment. Gràcies a això, Manuel acompanya l’alumnat a connectar alineació, respiració i presència amb qualitat sonora i expressivitat.

    Les seves classes entrellacen tècnica, escolta, pensament i corporeïtat, guiant cada persona cap a una pràctica musical més intencional i personal.

    En Manuel ofereix una trobada gratuïta de 30 minuts per veure si el seu enfocament és l’adequat per a tu. Si no ho és, estarem encantades d’ajudar-te a trobar una altra persona docent.

    Per a més informació o per mostrar interès, escriu a studio@freemusic.school

  • Clases particulares de piano en la Free Music School

    Aquí vemos al compositor y pianista Manuel del Rincón practicando Chopin en la Free Music School de Poble Sec. Ahora abre un número limitado de plazas para clases particulares de piano, disponibles en catalán, castellano e inglés.

    La enseñanza de Manuel combina profundidad musical y conciencia corporal. Su pasión por la teoría musical, la musicología y la filosofía da forma a su enfoque, ayudando al estudiantado a comprender no solo cómo tocar, sino también cómo pensar la música, la estructura, la interpretación y el significado.

    También trabaja de manera cercana con la postura y el cuerpo, incorporando principios de la Técnica Alexander, un método que ayuda a liberar tensiones innecesarias y a desarrollar una relación más libre, natural y sostenible con el movimiento. A través de ello, Manuel guía al estudiantado a conectar alineación, respiración y presencia con calidad sonora y expresividad.

    Sus clases entrelazan técnica, escucha, pensamiento y corporalidad, acompañando a cada persona hacia una práctica musical más intencional y personal.

    Manuel ofrece una reunión gratuita de 30 minutos para ver si su enfoque es adecuado para ti. Si no lo es, estaremos encantades de ayudarte a encontrar otra persona docente.

    Para más información o para expresar interés, escribe a studio@freemusic.school

  • Private Piano Lessons at the Free Music School

    Here we see composer and pianist Manuel del Rincón practicing Chopin at the Free Music School in Poble Sec. He is now opening a limited number of spots for private piano lessons, offered in Catalan, Spanish, and English.

    Manuel’s teaching combines musical depth with physical awareness. His passion for music theory, musicology, and philosophy shapes his approach, helping students understand not only how to play, but how to think about music, structure, interpretation, and meaning.

    He also works closely with posture and the body, and often incorporates principles of the Alexander Technique, a method that helps musicians release unnecessary tension and develop a freer, more sustainable relationship with movement. Through this, Manuel helps students connect alignment, breath, and presence with sound quality and expression.

    His lessons weave technique, listening, thought, and embodiment, guiding each student toward a more intentional and personal musical practice.

    Manuel offers a free 30-minute discovery meeting to see whether his approach is the right fit. If it isn’t, we will gladly help connect you with another teacher who might be.

    For more information or to express interest, please contact studio@freemusic.school

Toni Cunill and Laurent Roux at Laurent’s studio, Poble Sec, BCN, 2023.

  • Andrew McLeod
    Exposició de fotografia en blanc i negre

    “Aquestes fotografies són un regal per a la meva xarxa social analògica — captades amb pel·lícula analògica — un agraïment a la comunitat que em va fer sentir benvingut com a persona estrangera al Poble-sec, recentment solter i sol, durant els primers anys de la pandèmia. Tothom aquí em va fer sentir acollit d’alguna manera, em va fer sentir part d’alguna cosa.” — Andrew McLeod

    Aquesta exposició s’està mostrant actualment a la Free Music School. Si tens interès a visitar l’obra mitjançant una visita privada, pots contactar amb studio@freemusic.school per acordar una hora.

    El portafolis fotogràfic complet d’Andrew es pot trobar al seu Instagram:
    https://www.instagram.com/upper79

  • Andrew McLeod
    Exposición de fotografía en blanco y negro

    “Estas fotografías son un regalo para mi red social analógica — captadas con película analógica — un agradecimiento a la comunidad que me hizo sentir bienvenido como persona extranjera en Poble Sec, recién soltero y solo, durante los primeros años de la pandemia. Aquí, todas las personas me hicieron sentir acogido de alguna manera, me hicieron sentir parte de algo.” — Andrew McLeod

    Esta exposición se encuentra actualmente en exhibición en la Free Music School. Si te interesa visitar la obra a través de una visita privada, por favor escribe a studio@freemusic.school para concertar una cita.

    El portafolio fotográfico completo de Andrew puede encontrarse en su Instagram:
    https://www.instagram.com/upper79

  • Andrew McLeod
    Black & White Photography Exhibition

    “These photos are a gift to my analog social network — captured with analog film — a thanks to the community that made me feel welcome as a foreigner in Poble Sec, newly single and alone, during the first years of the pandemic. Everyone here made me feel welcomed in some way, made me feel part of something.”
    — Andrew McLeod

    This exhibition is currently showing at the Free Music School. If you’re interested in visiting the work through a private viewing, please contact studio@freemusic.school to arrange a time.

    Andrew’s broader photographic portfolio can be found on his Instagram:
    https://www.instagram.com/upper79

CASTELLANO + ENGLISH ↓

  • La Free Music School ha estat col·laboradora orgullosa d’Arts of the Working Class durant els darrers dos anys i ofereix aquest diari de carrer a la venda a través del web de la Free Music School, amb opció de recollida a l’escola. Tots els ingressos d’aquestes vendes es destinen directament a donar suport a la Free Music School, ajudant a mantenir el lloguer pagat i l’espai obert.

    Un diari de carrer multilingüe sobre pobresa i riquesa, art i societat: Arts of the Working Class es publica cada dos mesos i inclou contribucions de persones creadores i pensadores de diferents àmbits i en diverses llengües. Els seus principis es basen en la classe treballadora, és a dir, en tothom, i informa sobre tot allò que pertany a tothom. Tothom qui ven aquest diari de carrer obté ingressos directament. Les persones venedores conserven el 100 % de les vendes. Cada persona artista la feina de la qual s’hi anuncia participa en la construcció del seu contingut. AWC és publicat per Paul Sochacki i María Inés Plaza Lazo per als carrers del món.

    Més informació a https://artsoftheworkingclass.org

  • La Free Music School ha sido una colaboradora orgullosa de Arts of the Working Class durante los últimos dos años y ofrece este periódico de calle a la venta a través del sitio web de la Free Music School, con opción de recogida en la escuela. Todos los ingresos de estas ventas se destinan directamente a apoyar a la Free Music School, ayudando a mantener el alquiler pagado y el espacio abierto.

    Un periódico de calle multilingüe sobre pobreza y riqueza, arte y sociedad: Arts of the Working Class se publica cada dos meses e incluye contribuciones de personas creadoras y pensadoras de distintos ámbitos y en diferentes idiomas. Sus principios se basan en la clase trabajadora, es decir, en todas las personas, y da cuenta de todo aquello que pertenece a todas. Toda persona que vende este periódico de calle obtiene ingresos de forma directa. Las personas vendedoras conservan el 100 % de las ventas. Cada persona artista cuya obra se anuncia participa en la construcción de su contenido. AWC es publicado por Paul Sochacki y María Inés Plaza Lazo para las calles del mundo.

    Más información en https://artsoftheworkingclass.org

  • The Free Music School has been a proud collaborator with Arts of the Working Class for the past two years and is offering this street journal for sale through the Free Music School website, with pickup available at the school. All proceeds from these sales go directly toward supporting the Free Music School — helping keep the rent paid and the space open.

    A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world.

    Learn more at https://artsoftheworkingclass.org.

Video:
María Inés Plaza ens presenta Arts of the Working Class: Relationships, 16 de novembre de 2025.
María Inés Plaza introduces us to Arts of the Working Class: Relationships, November 16, 2025.

Arts of the Working Class  ISSUE 39: RELATIONSHIPS Arts of the Working Class  ISSUE 39: RELATIONSHIPS
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Arts of the Working Class ISSUE 39: RELATIONSHIPS
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This fall, a small fleet of boats set sail under the banner of the Global Sumud Flotilla: a fragile choreography of resistance and solidarity carrying artists, activists, and ordinary people with ordinary jobs, determined to breach the maritime siege of Gaza and make visible its destruction and occupation. The flotilla was never only about reaching its destination. Its value was measured not in success nor in spectacle, but in risks shared, solidarities enacted, and futures imagined together against overwhelming odds. This understanding of solidarity as practice is what Chicks on Speed underline in their survey exhibition at the newly reopened Villa Stuck in Munich.

As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or capital, but as infrastructures of mutual dependence and resistance: fragile, chaotic, complex, indispensable.

Across the previous four issues in 2025, we have traced how this question recurs across different registers. Now, we turn to Relationships: to sentimental versions and terrains of struggle. Fascism, in its twenty-first-century iterations, thrives not only on nationalism and exclusion but on dismantling relational life: isolating, atomizing, privatizing it until solidarity becomes suspect and empathy itself a form of dissent. Proximity is policed, intimacy is surveilled. Love is reduced to transaction. Care is outsourced. Trust weaponized. Even friendship, the most basic form of political relation, is co-opted as a tool of influence and control.

The question is no longer whether relationships have political significance, but whether politics is even possible without them. This question is what the paintings of Arturo Kameya, last spring during the Amsterdam Art Week, and the poster by Russel Hlongwane and Lo-Def Film Factory (Francois Knoetze, and Amy Louise Wilson), in collaboration with the transnational project “99 Questions” at the Humboldtforum, address. To relate, and to persist in relating, is to resist the logics that seek to divide society. The works introduced as part of this year’s Loop Festival in Barcelona show how to rebuild forms of attachment that cannot be monetized, mapped, or monitored. It is to construct alliances that do not obey the imperatives of state or market, as well as to recognize that the liberation of an individual is entangled with the liberation of all—from the remaining streets of Gaza to the rainforests of the Amazon, from picket lines to refugee kitchens. It is to insist on anti-fascism as the departure point for the future.

The art world is not exempt from the same kinds of pressures. Too often, the language of community, engagement, and care is reduced to branding, sponsorship, and visibility, reproducing the hierarchies it claims to critique. Institutions extract value from relational labor that lacks redistributing power. Exhibitions, biennials, and programs become performances of solidarity rather than its practice. Filippa Ramos tells us, in conversation, how she works against this contradiction: by maintaining a sort of sobriety.

Calling out complicity is not enough. Constructive engagement demands that art institutions and practices build relationships that resist co-optation. This means, as our contributors argue, valuing labor—emotional, intellectual, and physical—not only within the narrow grid of art historical discourse but in material and permacultural reciprocity. It means placing relationality at the center of decision-making rather than treating it as decoration. In doing so, art becomes a social infrastructure rather than a simulacrum of it.

D’Angelo (1974–2025), now our ancestor, reminded us that in a world that denies justice at every turn, there “ain’t justice, just us.” In our attachments, in our persistence, in the care we give and receive, these are the places where the only justice possible is born.

With contributions by:

Octavia Abril, Anuscheh Amir-Khalili, Knut Birkholz, Catwing, Chicks on Speed, Clemente Ciarrocca, Sepp Eckenhaussen, Michel Esselbrügge, Will Furtafo, Giulia Ottavia Frattini, Dina El Kaisy Friemuth, Gaza Bienniale, Gluklya, Tris Hedges, Russel Hlongwane, Lo Höckner, Amelie Jakubek, Jean Kamba, Arturo Kameya, kina from ver.di, Francois Knoetze, Loop Barcelona, Dalia Maini, Julia Montilla, Diógenes Muniz, María Inés Plaza Lazo, Krishan Rajapakshe / Nachbarschaftshaus Urbanstraße e.V., Lilo Ruminawi, Spore Initiative, Catwings, and Amy Louise Wilson.

Arts of the Working Class  ISSUE 34: FAMILY VALUES Arts of the Working Class  ISSUE 34: FAMILY VALUES
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Arts of the Working Class ISSUE 34: FAMILY VALUES
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Is our family like a tree, firmly rooted, or like a fan, unfolding in many directions? The notion of family has long been framed as a stable, secure entity. Yet today, family values are shaped by forces that generate profound insecurity— economic, ecological, and social. Drawing from Astra Taylor's insights in The Age of Insecurity, this issue exam- ines how systems designed to create security, like money and property, paradoxically deepen our anxiety and uncertainty.

As we approach the end of a year marked by wars and destabilization, we rethink the family nucleus as more than just a biological or historical unit. We explore it through artists like Ayumi Paul, Danh Vo, and Leiko Ikemura, who offer alternative visions of interconnectedness. Taylor’s argument that capitalism is an “insecurity-producing machine” applies here, as the traditional family model is manipulated by power structures to uphold inequality, creating both division and a false sense of safety.

Inspired by Japanese graphics from the Edo period (1603–1868), safeguarded at the Langen Foundation— celebrating its 20th anniversary as a family-run art collection—we explore how contemporary artists reinterpret the era’s sustainable practices of togetherness, where human and ecological bonds coexisted in both peace and crisis. Through artists like Michikazu Matsune and Ayami Awazuhara, we see how family ties, like other social structures, are fluid and shaped by their surroundings. Yet, as Taylor notes, insecurity invites solidarity. Even the privileged are not immune to financial or environmental precarity, as Joshua Citarella and Catherine Liu discussed in their conversation on the rise of the new managerial class.

As curator Sohrab Mohebbi reminds us, “Art is where we practice freedom,” and that freedom opens new possibilities for collective strength. In this light, artists like Paulina Nolte, Malte Bartsch, and Katrin Mayer explore how expanding our concept of families—and by extension, cities and societies—can offer a path toward resilience. We hope you enjoy this edition, carefully curated to introduce Arts of the Working Class in Japan first as an e-paper and now in print on the streets of Berlin and elsewhere.

Impressum / Imprint

Founders / Publishers / Directors
Verantwortlicher i.S.d . 18 Abs. 2 MStV María Inés Plaza Lazo, Pauł Sochacki

Managing / Artistic Director
Amelie Jakubek

Editor in Chief
Dalia Maini

Editorial Assistance
Rita Torres

Artistic Project Development & Distribution
Theresa Zwerschke

Administrative Assistance
Selma Louise Christoph

Proofreading
William Kherbek

Translations
Takashi Arai

Designer
AWC feat. Manuel Bürger

Online Design
Giorgia Belotti

Circle of Support - Volunteers:
Donald Eubank, Hassoumi Moctar Agali, Amina Zerourou, Ruslana Shabelnyk, Nina Abba, Hannah Lu Verse, anna zrenner, Sophie Franziska Schultz, Kira Schmitz, Nadine Bajek, Cora Pagano, Yasemin Şenkal, Lukas Grube, Duarte Eduardo, Felix Dengg, James Rhys Edwards, Louisa Maria Stank, Sophie Hartleib, Teresa Mayr, Leo Baumgärtner, Katharina Thurow, Annalisa Giacinti, Mia Ribeiro Alonso, Line Lange, Noa Jarri

Arts of the Working Class  ISSUE 33: NEIGHBORHOOD WATCH Arts of the Working Class  ISSUE 33: NEIGHBORHOOD WATCH
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Arts of the Working Class ISSUE 33: NEIGHBORHOOD WATCH
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The term "glocality" is often paraded as a beacon of progress, a concept that seamlessly blends the local and the global. Yet, this ideal often conceals the deep-seated inequalities and systemic violence that prevent cities from being cohesive networks of beings. In cities such as Barcelona and Berlin, where privilege and exclusion glaringly define their structures, the notion of "glocality" masks the harsh realities faced by those marginalized by capitalism’s relentless advance. The romanticized notion of cultural blending too often ignores this quiet but clear devastation.

We have exchanged gazes and ideas with the Berlin-and-Barcelona-based editors of A*Desk, Montse Badia, and María Muñoz, to refresh once again our commitment to critical dialogue achieved through a polyphony of multi-situated voices. The issue, titled "Neighborhood Watch/Ojos de Barrio”, examines annual and biennial events such as Manifesta 15 and Berlin Art Week 2024 to take their collectives into account for how art becomes a tool for finding cracks in the monolith of urban wealth accumulation, where communities can breathe and flourish and neighborliness counterposes the aridity of profit and gentrification. It’s an invitation to recognize that scarcity is one of the main modus operandi in the arts, by navigating the brutal intricacies of its most sordid form of attention specular to capitalism.

A*Desk, deeply embedded in Barcelona’s cultural fabric, has long been a haven for critical revision and resistance to the alienation of culture against the backdrop of gentrification. Thus, AWC (re)visits and translates previously published essays and conversations from A*Desk’s online platform which refuses to carve out spaces of plural belonging, but rather defines them. We want to query a few things with you, reader, in between the cities: how do we navigate fractured realities? How do we build resilient communities against the tides of gentrification and displacement? How does art actively reshape, not merely reflect, the spaces we inhabit? These are not abstract musings - they are the lived experiences of the artists and art workers featured in this issue. Their work is a testament to the power of art to reveal and resist, to nurture connections, and to root us in a shared struggle for dignity and belonging. 

Indeed, the collaboration between A*Desk and Arts of the Working Class is more than an intersection of ideas - it’s an opportunity to rethink the indispensable roles of independent realities within the cultural system and to envision new ways of connecting and supporting one another in our differences. We are committed to extending the invitation, as Arts of the Working Class begins to leave its mark on Barcelona’s cultural landscape hand in hand with A*Desk, and in complicity with Michael Hart, our new partner in crime, and the members of his Free Music School, a wonderful gathering place for the dwellers of Poble Sec. Let us use perennials, art fairs, and gallery weekends not just as a means to observe, but to become active in shaping a more historically and politically engaged collective consciousness as an expression of the arts' unresolved social role. Only then can art stop being merely a reflection but a powerful force for transformation, grounding us in our shared struggle and collective hope. Social change may be only a few blocks away from you if you wish to engage.

This issue features Abolitionist Jelly, Alba Feito, Amelie Jakubek, Amr Amer, Ana Alenso, Anonymous, CHTO DELAT INTERNATIONAL, Calla Henkel and Max Pitegoff, Carlos Casas, Carlos Delclós, Carolina Campos, Center for Plausible Economies, DMT, Dalia Maini, Dani Gasol, Danielle Brathwaite-Shirley, Diana Padrón, Désiré Feuerle, Eli Cortiñas, Faltas, Fito Conesa, Gisela Chillida, Federico F. Giordano, Gitschiner 15, Glòria Guirao Soro, Grayson Earle, Helios (Ilyas) F. Garcés and Nancy Garín Guzmán, Iconoclasistas and Constanza Mendoza, Inés Plasencia, Irina Mutt, Jeremy Deller, Jokkoo Collective, MMX (María Inés Plaza Lazo, María Inés Plaza Lazo, María Muñoz-Martínez, Michael Hart, Miralda, Montse Badia, Nuria Güell, Pilar Cruz Ramón, Rico Zyrrano, Ro Caminal, Sara Ouhaddou, Selma Selman, Shibboleth, Taína Cruz, Tracey Snelling, and Xavier Acarín), ver.di.

Impressum / Imprint

Founders / Publishers
Verantwortlicher i.S.d . 18 Abs. 2 MStV
María Inés Plaza Lazo, Pauł Sochacki

Managing / Artistic Director
Amelie Jakubek

Editor-in-Chief
Dalia Maini

Guest Editors
Montse Badia and María Muñoz-Martínez (A*Desk)

Artistic Project Development & Distribution
Theresa Zwerschk

Administrative Assistance
Selma Louise Christoph

Distribution Assistance
Miguel Angel Espinoza

Proofreading
William Kherbek

Translations
Léa d Allexandre
Kurt Hollander
Huda Zikry

Online Design
Giorgia Belotti

Circle of Support - Volunteers:

Hassoumi Moctar Agali, Amina Zerourou, Ruslana Shabelnyk, Nina Abba, Hannah Lu Verse, anna zrenner, Sophie Franziska Schultz, Kira Schmitz, Nadine Bajek, Cora Pagano, Yasemin Şenkal, Lukas Grube, Duarte Eduardo, Felix Dengg, James Rhys Edwards, Louisa Maria Stank, Sophie Hartleib, Teresa Mayr, Leo Baumgärtner, Katharina Thurow, Annalisa Giacinti, Mia Ribeiro Alonso, Line Lange, Noa Jarri

Castellano + English ↓